o g r
a p h
In the past, I would have an idea for a painting
and hold to that idea through to the finish. I could pretty much see the end
result before I started. There were no surprises. But now my understanding of
the process is that the idea is just the first impulse. From that first impulse
forward, improvisation takes over. The end result is not about that first idea,
but is instead a record of all those impulses along the way. Each stroke of
paint carries emotion and power. I work in a loose, painterly style in part
because I want the viewer to see the process and not hide it behind 'finish;'
for the viewer to maybe even feel how a particular piece of paint was put down.
Painting is not about reproducing nature. I like the notion that art should
have more to do with the communication of the artist's emotions to the viewer
through the paint itself.
My goal in the work is not to show what I know, but what I feel. The more
intensely I can express emotion though paint about the subject, the more likely
the viewer will respond. All I can do is make an honest effort and then accept
without judgment. To remain neutral about the paintings and to not judge them
as good or bad is very important to moving forward.
My best work comes when I'm able to give up control, to trust my impulses. Then
the painting takes on a life of its own. When I don't know what is going to
happen next, the process becomes full of surprise and wonder.
We go to art school to learn the rules about drawing and painting. After many
years of developing skills and acquiring knowledge, I know what I will get as a
finished product if I control the process. What I don't know is where it would
lead and what would happen if I gave up control. This is what interests
It's a different way of thinking - or not thinking so much. To remain empty of
all preconceived ideas about how a piece will turn out. It's simply a
mind-shift away from repeating what I already know and to allow that unknowable,
creative spirit to come through.
That's easier said than done of 40 years of learning how to do this thing
called art. But all that stops one from stepping into unknown territory is
doubt and fear. If I'm willing to give up control over my skills and ability to
do things a certain way, then new forms and techniques will come to me.
- Walt Gonske